The contemporary artifact, Natasha Trethewey’s, “Kitchen Maid with Supper at Emmaus, or the Mulata” addresses a common theme from American Studies: the dehumanizing effect of slavery. Trethewey, a mulatto herself, bases her poem on a 1619 painting by Diego Valazquez, the year that enslaved people came to America for the first time.

Throughout the poem, Trethewey compares the Maid to kitchen objects. When Trethewey describes the Maid, she says, “She is the stack of bowls”. It is very interesting that she uses the metaphor to describe the maid as a bowl, dehumanizing the Maid by comparing her to an object. A bowl is an inconsequential item that’s purpose it to serve people. By comparing the maid and the bowl, it shows that maid’s sole purpose it to serve. Throughout the Narrative of the Life of Frederick Douglass, Douglass describes multiple instances where he feels dehumanized. Similar to how the Maid was compared to a bowl, Douglass writes of a time when he is being evaluated as property and “ranked with horses, sheep, and swine” (Douglass 27). By using the word “ranked”, Douglass illustrates that he is being seen as an equal to animals. Even in the contemporary poem today, the Maid is being dehumanized by being compared to a bowl, as Douglass was being dehumanized by being ranked with dirty animals, like swine. Enslaved people were not only dehumanized, but stripped from their families: “The threat of sale, which disrupted family ties, was perhaps the most powerful disciplinary weapon” (Foner 399). The word “family” is interesting here because, not only is Foner referring to blood family, but also to the close bond of enslaved people on plantation. It is seen in Trethewey’s poem that she is alone because there is only a small shadow behind her, and no reference to any other person. Not only does Trethewey’s poem connect to the dehumanization and loneliness that Frederick Douglass constantly felt throughout his life, but it also connects to Aunt Jemima and the “happy” slave SAMBO.
Trethewey writes, “She is the echo of Jesus at table, framed in the scene behind her white corona”. A corona is a bright, light halo. It is intriguing that Trethewey describes her with a corona because, by conflating the maid’s cap with Jesus’s corona, it puts the maid in a positive light, even though the Maid lives a bitter life. Similar to the Maid, Aunt Jemima, a pancake ad figure, was also put in a positive light. Aunt Jemima was seen across the country and can be described as “heavy set, wears a bandana, and smiling in every Aunt Jemima product” (Anna Rowe voicethread). Although Aunt Jemima was seen smiling on every product, it was hinted by the pancake company that she was a slave laborer, therefore hinting eerie similarities to SAMBO, the supposed “happy” and “thankful” slave. By stating that Aunt Jemima was seen “smiling” in every photograph, it portrays her as being happy, even though the life of an enslaved person was extremely tough.
So, why is Natasha Trethewey writing a poem based on a painting nearly 400 years old? Trethewey’s poetry echoes her life experiences, and this specific poem reflects on discrimination and segregation she has experienced throughout her life growing up in Mississippi. Even after the passed 13th Amendment, Deconstruction, and the Civil Rights Movement, discrimination towards African-Americans still lingers in the United States today. As we have discussed in American Studies we, the United States as a country, have the belief that we are always improving. But how far have we really progressed if racial discrimination can still be seen in our country today, almost 400 years after the first slaves were brought to America?